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The outside world is treated as a source of validation for what the bureaucracy is doing, or else it is shrugged off, or punished, if possible. What really counts for such people is not what outsiders are doing, but what happens inside the bureaucracy. When the superiors are contacted, they push the issue back down on their subordinates. Hence, when trouble hits, they turtle up as bureaucrats will, and prevent the issue from reaching their superiors. By contrast, in Taiwan, museum directors are directly inside the government bureaucracy and their funding comes largely from the government. Many major art museums in the US are headed by independent directors overseen by a board of directors, and are funded by philanthropy. As Yang observed to this writer, there’s a strange contrast between a public museum director posting such words, and city cultural officialdom hiding in silence. Officials have since retreated into silence, clearly hoping the incident will just disappear. A proper contract had not been signed, it explained, and the show had not been listed in the museum’s exhibition plan.Īt first the museum did not comment on the xenophobic post by its director, but later added in an art magazine interview that the director felt sorry, but the Facebook post had named no one. She thus went on to focus on the upcoming celebrations for MOCA’s 20th anniversary, which had to be shortened because of Yang’s show, the museum said. MOCA said in a July 31 statement that during the transition to the new director, Yang’s project was lost in the shuffle and Loh had not been properly informed of the exhibition. Fake foreigners who think they’re superior come to Taiwan and take all the resources.” Outrageously, the post was hashtagged “People who only care about themselves, and not about hurting others, are either brainless or scumbags.” Yang also said that he had been bullied by online trolls during the dispute.
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#MOCA MUSEUM VALIDATION FULL#
The furor in the art world exploded after Yang decided to publicly discuss a xenophobic post Loh posted on Facebook in December during the preparations for the exhibitions: “The world is full of villains who pretend to be victims but really just want to take advantage of you. In addition to this Yang observed, because of Lunar New Year in February, the exhibition was effectively further shortened. After Yang threatened legal action, the two sides agreed that the show would go on, but only for a month and half, instead of three months. The dispute began when the new director of MOCA, Loh Li-chen (駱麗真) canceled the show, allegedly without negotiating with Yang, even though museum officials had assured Yang it would be held as planned.